Category Archives: Writing craft

The Power of a Conversational Writing Style

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I was at my beautician friend’s house getting a haircut when her husband, Randy, came home. He’s not a writer or interested in becoming one. But, whenever Randy is around, I know he’ll ask about my work. We’ve gotten past, “What do you write?” He understands that I write books. He’s asked, “Where do you get your ideas?”and I’ve told him I pray before I write and ask for God’s guidance. Somehow the ideas just come. But on this particular haircut day Randy wanted to know,

“Who do you write for?”

(I wanted to correct his grammar, but I didn’t.) I rambled on about editors, writing assignments and deadlines. I talked about publishers and digressed into explaining what it means to freelance. —

“I meant WHO do you write for?” he interrupted me. “Kids? Adults?”

“Both,” I said. Then I added,

“I write for every person reading my book. I want my words to make each reader feel like I’ve written the book just for him or her.”

I could have gone on and made the poor guy sit through a lesson on informal writing and conversational tone, but I didn’t. I’m sure he was grateful.

When I write here on the blog and also when I write devotionals I prefer a conversational voice. Yes, it breaks the rules of formal writing, but there are benefits.

  • A conversational tone connects the reader with the writer.
  • It allows the writer to get ideas across using fewer words.
  • It holds readers’ interest longer and makes them want to read more.
  • A conversational tone is more inviting and entertaining.
  • It increases readership.
  • A conversational tone flows easily and naturally, like a friendly conversation with Randy!

dialoogKurt Vonnegut said, “The writing style which is most natural for you is bound to echo the speech you heard when a child . . . I trust my own writing most, and others seem to trust it most, too, when I sound most like a person from Indianapolis, which is what I am.”

 

Think about your writing style. Is it formal or informal?
What about your style makes your readers want to come back for more?

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Writing Is Better with Bacon

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If you are like me, you’ve ventured outside your comfort zone and sampled at least one strange bacon infused concoction. Donuts, pickles, jam, ice cream, brownies . . . Everything is better with bacon—even the craft of writing!

“Reading makes a full man; conference a ready man; and writing an exact man.”

1001_image1_slicker_francis_baconWho said it? 

The Renaissance-era scientist and philosopher, Sir Francis Bacon. He, perhaps unknowingly, packed a powerful writing lesson into that one simple sentence.

Let’s break it down.

READING fills a writer with knowledge, ideas and a better understanding of technique. When a writer reads, he or she learns more about the craft of writing by experiencing various writing styles, voices, forms and genres.

CONFERENCE inspires writers to write. Have you come away from a writers’ conference filled with ideas and readiness? Of course you have! Conversing with other writers and creative people sparks motivation. It prepares a writer to write.

EXACTNESS is the final part of Bacon’s lesson. A ready writer works diligently to find the exact words to convey an exact meaning. That’s the most difficult part of writing, taking knowledge and readiness and weaving them into something great.

Reading makes a full writer; conference a ready writer; and writing an exact writer.

The next time you feel stuck, remember Sir Francis’ words:

Read. 
Converse. 
Be exact.

and remember:
Writing is better with Bacon!

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Sir Francis’ mother was a cook who married a bacon.
Anne (nee Cooke) Bacon.

Some scholars believe Sir Francis faked his own death.
He wanted to live—without bringing home the bacon!

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Revising: Show Don’t Tell—But Not Always!

show_20and_20tellShow Don’t Tell. It’s the Genesis of the writing process, the tenet learned in grade school. Immerse your readers in a stew of their senses: see, hear, feel, taste, smell and touch. Amen.

But not so fast. It’s like that verse in Ecclesiastes 3 says: “There is a time for everything, and a season for every activity under heaven.” Show don’t tell is no exception.

You can think of writing like applying makeup. Putting on just enough enhances one’s appearance, but too much can make you look like a waxy mold of a stringy, over-cooked ham. Good writers know that a manuscript isn’t finished until there is just the right balance of show and tell.

But how do you decide?

When revising your work, first read each paragraph and look for telling places where:

• You explain how a character feels,
• You use an abstract description,
• You tell about a conversation.

Girl With Computer Screen of Internal OrgansThen decide if these narrative passages need to be spiced up with some showing.

• Is your character’s feeling a strong one? If so, then describe it by showing how the character looks and acts.
• Is an abstract description enough? If not, then add some juicy images and raw details.
• Is it sufficient to tell about a conversation? If a conversation is important, add dialogue to further develop your characters and move the story along.

Next, put your revising gear in reverse and check each paragraph for showing places. Look for the Extreme 3Ds:

• Excessive drama. Remember the makeup analogy? Use just enough drama to enhance. Too much will pull readers away from the story.
• Excessive dialogue. When characters talk, their conversations should be realistic. Too much dialogue can mean that characters are telling too much of the story.
• Excessive description. Have you showed more than you have to? Sometimes, writers use too many words to describe. Look for wordy descriptions, and replace them with fewer and well-chosen words.

Writing is an art form. Clichés like show don’t tell have their place, but they don’t command the writing and revising process. Great writers know when dramatization is needed and in what measure. Do you?

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Filed under descriptive writing, Editing and proofreading, Uncategorized, Writing craft